Buyers inspect tuna at the Tsukiji Tuna Auction |
Located in the heart of Tokyo, Tsukiji Fish Market is the
largest wholesale fish and seafood market in the world and one of the largest
wholesale food markets of any kind. The size of over 40 football fields,
Tsukiji is crammed with stalls selling over 400 kinds of fish and seafood. I
saw all kinds of shrimp from all over the world in open plastic sacks in
Styrofoam boxes. I passed giant crabs, bright red octopus, swordfish, even
whale. I saw live flounder, flying fish, eels, squid, mackerel and tanks of
live fugu, a kind of blowfish that is deadly if incorrectly prepared. There
were sheets of kelp, octopus roe and piles of shirasu (baby anchovy).
But I had no time to dawdle; I didn’t want to be late for a
very special event: the Tuna Fish Auction, where a Bluefin tuna can fetch over
$170,000.
There was a time when anyone could attend the 5:30 am tuna
auction, but now it’s by invitation only. I was the personal guest of oroshi gyōsha Hiroki Fujita,
who knows my good friend Kumiko from the Beacher Café in Toronto. Fugita is
considered somewhat anti-establishment; I think this is because he has his own
way of doing things. Fujita was featured in “Jiro Dreams of Sushi”. If you haven’t seen the film yet, go see it.
Jiro refers to Jiro Ono, the master sushi chef or “shokunin” whose restaurant
Jiro, in the Ginza area of Tokyo, is renown for its heavenly sushi experience. A course at this 3-star restaurant can cost
more than 35,000 yen ($460) and reservations must be made at least a month in
advance. Ono is one of Fujita’s clients and relies on Fujita’s choice of
tuna for his restaurant. Says Fujita: “only one of the ten [tuna] can be the
best and that is what the client wants from me.” There are days when Fujita
walks away with no purchase. “I either buy my first choice or I buy nothing.”
The auction happens in a large warehouse in the “inner
market” (Jonai Shijo), the licensed wholesale market where most of the fish
processing by dealers who operate small stalls also takes place. The market opens
most mornings at 3:00 am with the arrival of fish by ship, truck and plane from
all over the world. Licensed buyers, including intermediate wholesalers (nakaoroshi
gyōsha) like Fujita, restaurant agents, food processing companies
and large retailers inspect the fish prior to bidding on them.
After donning safety vests and rubber boots, I followed Fujita
inside the large warehouse. Row upon row of up to 300 kg tuna lay on aluminum
pallets for viewing by buyers smoking cigarettes and drinking coffee in paper
cups. They roamed from fish to fish that were caught from all over the world. I
watched as Fujita hunkered down and peered into the belly of one carcass with
his flashlight. He picked up the chopped off tail, held it to the light and inspected
the orange flesh, feeling it between his fingers and envisioning the perfect
tuna, a vision of true kata.
According to Nick Tosches in his 2007 article in Vanity Fair, what someone like Fujita determines by his quick and practiced analysis "is an indication of the tuna's inner colour, its oil content, and the presence, if any, of parasitic disease. A smooth-grimed and marbled tail is a prime indication of quality. The richness of the tuna's lipid content, its fat, can be gauged by how slippery the slice of tail feels between the fingers. Pockmarks reveal parasites. It's a complex diagnostic method that is mastered only with years of practice. The overall form and colour of the tuna are also quickly assessed at the same time. The ideal of these qualities, inner and outer--the word for this ideal is kata--is also a bit of a mystery to outsiders."
According to Nick Tosches in his 2007 article in Vanity Fair, what someone like Fujita determines by his quick and practiced analysis "is an indication of the tuna's inner colour, its oil content, and the presence, if any, of parasitic disease. A smooth-grimed and marbled tail is a prime indication of quality. The richness of the tuna's lipid content, its fat, can be gauged by how slippery the slice of tail feels between the fingers. Pockmarks reveal parasites. It's a complex diagnostic method that is mastered only with years of practice. The overall form and colour of the tuna are also quickly assessed at the same time. The ideal of these qualities, inner and outer--the word for this ideal is kata--is also a bit of a mystery to outsiders."
At 5:30 the auctioneers began their recursive bellows and
buyers crowded around. Buyers made their bids in a flurry of hand flicks and
the sale was soon reached; a an invoice was rapidly dispatched and stuck on the
fish then the crowd moved onto the next fish.
It was all over in half an hour.
Fujita filleting his prize tuna |
The bought fish
were then either loaded onto trucks to be shipped to the next destination or on
small carts and moved to the many shops inside the market. I followed Fujita to
his stall in the market where I watched him cut and prepare his freshly
purchased tuna for sale to retail buyers. Cutting and preparation is elaborate.
I watched one of Fujita’s men cut frozen tuna with a large band saw and another
make the initial lengthy cut of the fresh tuna with a very long knife (called maguro bōchō—“tuna cutter”). Fujita then
made the final cuts; The subtle cutting art of maguro no kaiwa (“the conversation of the tuna”) was mesmerizing.
Each knife is
used for different cuts. First the mid-sized knife is used to remove the head,
tail and fins. The very long knife is used for the first cut along the spine of
the tuna, separating the dorsal and ventral parts, to get the first upper
quarter section of the fish. Depending on where the cut is taken on the fish,
you get differing levels of fatty content. For instance, Akami (lean tuna) is the dark red meat closer to the centre of the
tuna; O-Toro (fatty tuna) is cut from
the underside of the fish belly; and Chu-Toro
(medium tuna) comes from the fatty parts closer to the dorsal region of the
tuna between the akami and otoro layers.
I’m told that
the average Bluefin tuna yields 10,000 pieces of sushi.
Lineup at a market sushi place |
And speaking
of…a day in Tsukiji is not complete without a sushi breakfast, which was
exactly what I had with my new Japanese friends. By 7:30 am, we’d wound our way
through the warren of inner market stalls, outside, past stacks of polysterene
boxes, and turret trucks and outer alleys and were standing in a very long line
in front of the faded doorway curtains of one of the area’s best known sushi
market restaurants. We were eventually seated amid a cramped row of people and enjoyed
personally made sushi that went for about 700 yen per piece. I ate sea urchin (uni), salmon roe (ikura gukan), fried egg (tamagoyaki), red snapper, yellowtail and
eel among other delectable surprises. My favorite was the chu toro (fatty tuna). It was like a sweet aria. Buttery smooth and
utterly delightful, it melted in my mouth and sang all the way down my little
stuffed body.
Shokunin displays diverse sushi entree |
By 9 o’clock we
wandered through the outer retail market (Jogai
Shijo) that bustles with shops and eateries all day. Energetic shopkeepers
call out from all sides, eagerly advertising their diversity of goods including
fresh vegetables, meats, seafood, seaweed, kitchen produce, sweets and various gadgets.
Lke in a scene from Bladerunner, you
can find busy Tokyo businessmen and housewives with children any time of the
day standing at iconic noodle street bars and sucking back steaming noodles
with a helping of beer.
The Tsukiji market,
which has operated since 1924 (when it replaced the former Nihonbashi fish
market destroyed in the 1923 earthquake) sits on prime waterfront real estate,
next door to the high-rent Ginza district. The market property was apparently
sold by the city for a few trillion yen. The fish market is slated to move to
Toyosu in Koto Ward by 2015 (construction was delayed due to the need to clean
up the contamination by benzene of the new site).
Go see Tsukiji
while it’s still there.
Fresh sushi at Tsukiji Market |
I’m the COOL
Travel Cat! Itadakimasu…good
appetite. And Kampai!
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